2006 August | Paste

About "Harrowdown Hill":

... when he explains why he titled the album The Eraser, he’s more forthcoming.
“I was reading this book about the death of Aldo Moro, the head of the Christian Democrat party in Italy who was murdered by the Red Brigade in the ‘70s—which was a big deal when I was a kid. Before he died he’d written all these letters and was disowned and ‘erased’ from Italian Politics. Even before he died everyone was saying, ‘Well, he’s obviously lost his mind; the person writing these letters to newspapers in desperation is obviously not the real thing.’ It got me thinking. For me, a lot of the record is about living in a world where things like Iraq happen. You pick up The New York Times and there’s one little column saying ‘a bunch of soldiers blow away 100 people they’re trying to save because they were on speed’ and over on another column there’s some other small piece on how they should be brought home. OK and next page—the ability to erase these people from one’s [consciousness], partly in order to exist day-to-day, exists. Also, all these nightmare scenarios that are going on in the background. In Britain, it’s almost too much the other way. People in the U.K. are constantly talking about climate change right now, but the big fear is that it’s become some bizarre fad, and I’m a bit freaked because it doesn’t really work like that. Talk about ‘erasing,’ what about New Orleans? I mean Stipe and some other artists have been talking about it, but, oh my God, how can you do that? How can you erase all these people like they don’t exist? Obviously there’s the personal thought of me trying to erase this or that from my mind to move on because there are all these things going on, and then I thought, ‘No, the record is much more a response to the political environment and general public psyche.’ It’s a response to the ability to [snaps his fingers] and these issues can just go away.
“In Britain there was a massive thing called the Hutton Inquiry, where there was this scientist, David Kelly, who was the chief chemical-weapons person in Britain. He was a whistle-blower on the lack of WMDs in Iraq. He was rather inconvenient, much like [outed CIA operative] Valerie Plame, so he was outed by the U.K.’s Ministry of Defense by saying he was a leak, and that he was the one talking to the press when he shouldn’t., and he ended up ‘committing suicide.’ I feel really funny talking about it because he lived locally to us and I have friends who know his family, and to me, it’s this incredibly dark period in British life, where basically the entire country held the prime minister responsible for it because his press man said, ‘I want this guy rid of, I want him erased; I want him gone.’ So there was this Hutton Inquiry, which naturally said the Ministry of Defense was probably at fault with the way they handled his outing, so obviously the prime minister can’t be held responsible, which everyone thought was a croc of shit, but—poof—it went away; it was whitewashed. It was erased, and the culprits are all still there, and this poor man died for whatever reason. It seems lie this very, very small thing, but it’s an expression of something much wider and much more frightening.”