As we discuss the Orwellian nature into the world’s collective psyche, Yorke’s other side begins to appear, the one similar to Toto sniffing around the Wizard’s curtain. Unlike what most critics would have you believe, Yorke isn’t a pessimist; he’s a realist with a might big spotlight. Yet, continually using one’s influence as an artist to shed light on the atrocities of modern life isn’t really in the job description, though it’s always tempting.
“I wouldn’t want to take on that kind of responsibility, but I think I can’t help finding myself—given the particular weapon I have at my disposal—wanting to use it occasionally in certain circumstances. But I thin it’s best used inside the music; that’s where you can have the best effect. Some people are able to do it—Neil Young, Bob Marley; Bob Dylan’s done it endlessly. Lots of rap does it; Public Enemy does it endlessly, so it’s possible to do and do well. But I always have to be aware when it comes to writing and when it comes to music, you don’t just come and say, ‘I want to put this in the song.’ It naturally evolves, and it’s naturally a part of what’s going on … Anger is an energy source for me, especially lyrically when I’m presented with something I consider utter madness … My writing is a constant response to doublethink."